Monday , November 25 2024
Home / The Angry Bear / Snarky reviews

Snarky reviews

Summary:
Tonight at dinner we discussed snarky reviews, which brought back memories. I was raised in New York City, which was usually fantastic, at least when it wasn’t terrifying.  One of the great things about it was the music.  I saw Lou Reed at the Bottom Line in 1976 or so.  And a few years later I went to the Met opening of Akhnaten, an opera by Phillip Glass. My mom hated (and I think still hates) Glass, and couldn’t understand why I would go.  The next day she clipped the New York Times review and mailed it to me.  (That’s how we did things back then, kids.)  Here is the first paragraph: ”AKHNATEN,” the Philip Glass work that the New York City Opera presented Sunday night in its New York premiere, is not a work whose music asks to be listened

Topics:
Eric Kramer considers the following as important:

This could be interesting, too:

Bill Haskell writes “Giving Up Is Unforgivable”

Bill Haskell writes What was Experienced in 1970 and 2020 in almost the Same Area

Angry Bear writes Are immigrants taking jobs from ‘native’ U.S. workers? 

Bill Haskell writes Wall Street Journal Reports on Another High-Level American Chatting with Putin

Tonight at dinner we discussed snarky reviews, which brought back memories.

I was raised in New York City, which was usually fantastic, at least when it wasn’t terrifying.  One of the great things about it was the music.  I saw Lou Reed at the Bottom Line in 1976 or so.  And a few years later I went to the Met opening of Akhnaten, an opera by Phillip Glass.

My mom hated (and I think still hates) Glass, and couldn’t understand why I would go.  The next day she clipped the New York Times review and mailed it to me.  (That’s how we did things back then, kids.)  Here is the first paragraph:

”AKHNATEN,” the Philip Glass work that the New York City Opera presented Sunday night in its New York premiere, is not a work whose music asks to be listened to seriously. Despite the publicity that Mr. Glass’s works have received, his operas to date add up to little more than pageants with backgrounds of continually repeated, barely varied sound patterns. They stand to music as the sentence ”See Spot run” stands to literature. As a pageant, then, ”Akhnaten” must depend largely on the imagination of its production. By all reports, it benefited from brilliant staging earlier this year in its world premiere in Stuttgart, West Germany, and enjoyed a triumph there.

Ooof!  Share your favorite mean-spirited reviews below.

Leave a Reply

Your email address will not be published. Required fields are marked *