by A couple of weeks ago, I recorded a video presentation about the likely employment effects in Australia, as part of my university’s response to the pandemic. The sound quality wasn’t great, what with reliance on my computer microphone, a spotty Internet connection and my accent, which is too strong even for some Aussies. The communications people at the Uni got back to me and said it might have to have subtitles, but they could improve things by lowering the volume of the background music. My immediate reaction was unprintable, and while I managed to calm down, I wrote back to say that under no circumstances would I accept any kind of musical accompaniment. They cut out the music and managed to get it done with closed captions (the kind that are turned off my default). But,
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A couple of weeks ago, I recorded a video presentation about the likely employment effects in Australia, as part of my university’s response to the pandemic. The sound quality wasn’t great, what with reliance on my computer microphone, a spotty Internet connection and my accent, which is too strong even for some Aussies.
The communications people at the Uni got back to me and said it might have to have subtitles, but they could improve things by lowering the volume of the background music. My immediate reaction was unprintable, and while I managed to calm down, I wrote back to say that under no circumstances would I accept any kind of musical accompaniment. They cut out the music and managed to get it done with closed captions (the kind that are turned off my default).
But, obviously, I’m in an aging and shrinking minority here. David Attenborough’s documentaries, which I used to love, are now unwatchable (or rather unlistenable), with lush orchestral music crashing over his narration. If it’s not that, it’s an annoying metronomic repetition of the same five notes over and over. When people complain, the answer is “this isn’t a lecture”. But that’s exactly what I want from a documentary – a lecture with high-quality video combining to convey more information than either alone. Music, by contrast, conveys no information at all (except, I guess, “this is bad music”). If I wanted a content-free audiovisual experience, I’d far prefer a live band at the pub, with smoke and strobe lights, to someone’s musical interpretation of animal behavior overlaid on some barely audible talk.
Thinking about this brings up the more general issue of background music in films. It’s such an established convention you barely notice it most of the time. But I’ve quite often had the experience of hearing vaguely dissonant music as a character enters a room, and not knowing if this is part of the film, supposed to be audible to the character, or just part of the soundtrack. It’s just as artificial in its way as the characters in a musical bursting into song at the drop of a hat, and yet it’s a standard part of what is supposed to be realistic drama.
That’s it from my Grumpy Old Guy persona. Does anyone share my grumpiness, or want to persuade me out of it.