Heterodox
The GI Bill marked a pivotal moment in higher education. But such a bill should be seen as more broadly reflective of the country’s Keynesian moment: roughly, the late 1940s through the early 1970s, in which art, public culture, and, yes, education, were funded directly by both state and federal governments. In the 1950s and ’60s, as Sharon Zukin notes, public expenditure in arts through universities “opened art as a second career for people who had not yet been integrated into the labor...
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