THE NATION: Yanis Varoufakis’s vision for a more democratic Europe – a review of ‘Adults in the Room’, ‘Talking to My Daughter About The Economy’ & ‘And the Weak Suffer What They Must?’ by Atossa Araxia Abrahamian

Rather than getting bailed out in their home country, banks would be “Europeanized” and put under public control. The European Central Bank would be more helpful to member states seeking debt relief and financing. Finally, the euro would remain in place—but through a system of digital tax credits, or “fiscal money” that could only be used at home, individual countries would have a certain amount of leeway to make their own decisions concerning alleviating poverty and funding public projects. All the while, freedom of movement throughout the EU would still apply.

There’s a lot going on here—some of it eminently practical, some not—and one could debate the specifics of Varoufakis’s policies. But the overarching motivation is simple: more democracy, more Europe, and more of the right kind of globalization to give substance to the idea of a European unity. Varoufakis summed up the spirit of his worldview in a 2015 standoff with then–German finance minister Wolfgang Schäuble: “The obvious solution [is] the globalization of welfare benefits and living wages, rather than the globalization of insecure working poverty.”

Varoufakis’s political career had begun in earnest the year before, when Alexis Tsipras, Syriza’s candidate in the approaching national elections, asked Varoufakis to be his finance minister should the scrappy leftist party win. Varoufakis had in the mid-2000s briefly advised George Papandreou’s social-democratic administration (which he came to publicly despise), but Tsipras’s offer was Varoufakis’s first opportunity to formally enter into Greek politics. Until then, he had mostly been known for his academic work. A trained economist with advanced degrees in game theory, Varoufakis had been elected to serve as leader of the black student union as an undergrad at England’s University of Essex, arguing that “black” was a “state of mind” and that, as a Greek, in the context of a dominant Northern Europe, he more than fit the bill. Finishing his doctorate in Essex in 1987, Varoufakis hopped from one academic appointment to the next over the following 20 years, teaching in the UK, Australia, and the US before returning to Greece to run the University of Athens’s economics PhD program.

In the years following the 2008 meltdown, Varoufakis began writing in a plain and refreshing English about the crash on his blog. When he was approached about the finance minister’s position in late 2014, he decided to first run for Parliament before being formally appointed, because he wanted the backing of the Greek people. He got it: Varoufakis won more votes than any other candidate. By then, he had already established a reputation as an outspoken Marxist iconoclast at home, and his entrée onto the international scene could not have been better timed. The cast of the European debt narrative appeared almost exclusively in muted suits, so Varoufakis’s presence—leather-jacketed and pulling up on a motorcycle—filled a significant dramatic hole.

The real work began two days after his election. As Syriza’s finance minister, he had to negotiate intractable debt-reduction deals on his country’s behalf. At this point the European Central Bank was offering Greece financing, but the terms were onerous; the rest of Europe was dead set on punishing his country for its previous fiscal transgressions, some of which were real (like the Greeks’ tendency not to pay their taxes) while others were a product of happy-go-lucky lending in deficit countries on the part of large banks, with no plan B on the continental level to manage the fallout.

Varoufakis had no love for his country’s creditors, but he saw the EU favoring the bottom lines of international banks over the welfare of the Greek people. He was also practical, and keen to “shower [the EU] with moderation” and prove it wrong about the Greeks being undisciplined and lazy. So he assembled an international team of supporters, including American economists Jeffrey Sachs and James Galbraith, former treasury secretary Larry Summers (aka “the Prince of Darkness”), and Deutsche Bank’s Thomas Mayer, along with some financiers from Lazard, the asset-management and advisory firm, to demonstrate to Brussels that he was willing to negotiate on its terms.

The betrayals in Brussels came from all over: socialists, conservatives, friends, foes. Varoufakis noticed a “terrible disconnect between the eminently sensible things some ministers say behind closed doors and the inanity of their statements…when the television cameras are switched on,” he writes in And the Weak Suffer What They Must? The only person to play it straight was Schäuble, whom Varoufakis characterizes repeatedly as a humorless crank (part of it seems to be his frustration at his own inability to charm him). For many of Europe’s leaders, Varoufakis declares, austerity became a “morality play pressed into the service of legitimizing cynical wealth transfers from the have-nots to the haves during times of crisis, in which debtors are sinners who must be made to pay for their misdeeds.”

In the end, even Syriza gave Varoufakis up. Before he’d been formally appointed, he had impressed upon his party that in order to get the best debt deal possible, they had to be willing to make concessions: privatizing certain industries, transferring Greek bank shares to the EU, launching a domestic development fund, and creating a public “bad bank” to deal with toxic loans so that individuals and small businesses would not have to pay for the bankers’ indiscretions. But he also insisted that the party had to pledge not to “bluff against the troika” (meaning the European Commission, the European Central Bank, and the International Monetary Fund); if Syriza was serious about Greece staying in the EU and getting itself back in the black, then the party had to agree to refuse another bailout with austerity attached to it, even if the consequence would be to default or to stage a “Grexit” from the EU. And so they agreed—at least in theory. But when Syriza won the election, that scenario stopped being hypothetical and many within the party started to feel the pressure to get with the EU’s program.

By midsummer, it became clear that Varoufakis had lost support not just in Brussels, but in Athens. The country was running out of money, the markets were still shaky, and the threat of capital flight loomed over Greece. Syriza called a referendum on whether to accept an onerous new debt deal. The Greek people voted against it, vindicating Varoufakis’s position. But a bleary-eyed Alexis Tsipras announced that he’d opted to comply with the German agenda, leaving Varoufakis abandoned by his party. On his blog, he accepted Syriza’s request to step down, adding, “I shall wear the creditors’ loathing with pride.”

There’s no question that Varoufakis was upset by the events of 2015. The bailout that Tsipras and Syriza accepted brought with it more debt and more austerity troubles; Greece will likely be repaying its creditors for decades to come. This was a punch in the gut. While Varoufakis embodies the vision of an urbane cosmopolitan (he spent time abroad in part to avoid the draft), he still identifies very much as Greek. His commitment to public service easily defies British Prime Minister Theresa May’s now-infamous statement that “if you believe you’re a citizen of the world, you’re a citizen of nowhere”; Varoufakis wanted to see Greece escape from the fate that the troika was imposing upon it and set an example for anti-austerity parties across the continent. To add insult to injury, he got blamed by his party for screwing up in Brussels. Some have even attached a price tag to this failure, arguing that he’d personally cost Greece billions of euros.

Varoufakis’s resignation nevertheless helped him out in one way: He’d held public office but never actually had to sell out. Since Varoufakis has always presented himself as a bit punk, that didn’t exactly hurt his image. While politicians and elites snubbed him, he explains in Adults in the Room,

Taxi drivers, suited gentlemen, old women, schoolchildren, policemen, conservative family men, nationalists and far-Left recalcitrants alike—a whole society whose sense of pride and dignity had been offended…would stop me in the street to offer thanks for that brief moment…. It is a source of personal pride and joy to me that the troika’s cheerleaders within Greece use every opportunity they can to undermine me. I consider their attacks a badge of honor, conferred for having dared to say no to their demands in the Eurogroup.

Since stepping down, Varoufakis has used his considerable talents as a writer, an economist, and, yes, a brand to demystify complex financial concepts designed to elude us. He’s appeared on TV shows, in gossip rags, even on Russell Brand’s podcast to further this mission. “I have always believed that if you are not able to explain the economy in a language young people can understand, then, quite simply, you are clueless yourself,” he writes in Talking to My Daughter About the Economy, his back-of-the-envelope history of modern capitalism. “…Ensuring that everyone is allowed to talk authoritatively about the economy is a prerequisite for a good society and a precondition for an authentic democracy.” If this is his goal, then Varoufakis has more than achieved it. Throughout this book and his three earlier ones, he clearly and patiently helps readers come to an understanding of just how much power global corporate finance—and the supranational institutions that serve it—wields over our lives.

This isn’t to say that his books are beach reads, exactly. (I would know—I read Adults in the Room on a beach.) The subjects he covers range from Eurobonds to Bretton Woods and back to the European Central Bank; they are intricate and often dull, even when he livens them up with backroom gossip and references to Greek drama (his interlocutors, he notes, are characters straight out of Sophocles or Shakespeare: “neither good nor bad…overtaken by the unintended consequences of their conception of what they ought to do”). Still, Varoufakis patiently diagnoses problems in the system, then suggests a great many solutions. He lays out his proposed solution to his country’s debt crisis—essentially an innovative debt swap that pegs how much Greece should repay and at what rate to its GDP and rate of growth—so clearly and convincingly that it’s hard to argue with (unless, of course, you’re a Eurocrat who had actually been arguing with him). Why shouldn’t repayment be linked to recovery? It’s a perfectly logical solution.

One lesson Varoufakis learned during his time in Brussels was that nearly all of Europe’s economic questions boiled down to political ones, and vice versa. What is failing to keep Europe—the idea and the continent—together is that the EU did not evolve into a single political institution, but instead became more like a group of sparring sovereigns. Going back to the EU’s origins, Varoufakis argues that its inflexibility is hardwired: From its inception as a steel-and-coal cartel to its present “megabureaucracy” status, the EU was “invented to serve a cartel of large businesses seeking common rules and industry standards in perfect freedom from any parliament with real power over its actions.” The single market, the sub-sub-agencies, the jobs advising the advisers’ advisers—these, too, were all created with the elites in mind. Most insidiously, he writes, the EU’s institutions “were designed, back in the 1950s and 1960s, in order to bleach politics out of them. And since nothing is as political nor as toxic as an attempt to depoliticize a political process, the result was institutions at odds with the concept and practices of a democracy.” Along with his commitment to internationalism, the idea that all decisions around money are political emerges as a first principle in Varoufakis’s thought. Today, his project seeks to combine these two principles into a coherent leftist platform.

You can take the money out of politics, but you can’t take the politics out of money, Varoufakis explains in Talking to My Daughter About the Economy. This is the case within each country, but as important, it is also the case between them. “There is nothing wrong with the idea of a Single Market from the Atlantic to the Ukraine and from the Shetlands to Crete,” he writes. “Borders are awful scars on the planet and the sooner we dispose of them the better, as the recent Syrian refugee crisis confirms. And there is nothing wrong with a single currency either.” What is wrong is the system of institutions that currently regulate and manage Europe’s single market and single currency; they cannot exist without a functional democracy to stabilize the powers that be. “While the unimpeded movement of goods, money and moneyed executives,” Varoufakis insists, “has always been a sacred cow of globalized finance…the equivalent freedom of movement for people has always been severely circumscribed. No wonder, then, that racism grows in proportion to our free trade zones’ economic crises.”

But there’s another, underappreciated challenge to fixing Europe that Varoufakis seems to grasp intuitively: The institutions that govern Europe are not just flawed, but boring. Varoufakis’s gripes could just as easily be rephrased to say: Europe is an institution governed by bores, who make boring rules about boring things and make even the most outrageous proposals—austerity, for starters—sound boring. If Europeans are ever going to engage or care enough to change things, this can’t go on. Politics and economics need to become interesting again. The stakes are just too high. Toward the end of And the Weak Suffer What They Must?, Varoufakis poses what has emerged as the central question of his political project today: “Can we combine deep criticism of the European Union with an appreciation of the tremendous costs that its fragmentation would occasion?”

That’s the question Varoufakis’s new European political movement, DiEM25, is supposed to answer. It’s also the motivation behind his 2019 candidacy in Greece with a new party called MeRA25, the party of “responsible disobedience.” DiEM25 is premised on the idea of a different kind of Europe—a more democratic one focused on sharing in the good times and the bad, and united “against the dominant oligarchy-without-borders but also against nationalist parochialism.” Varoufakis and his followers initially thought they might be able to achieve these goals by supplementing national parties with a “transnational list” to compete for seats in the European Parliament. These slots, they hoped, would replace the ones abandoned by the UK after Brexit; they would thus discourage nationalism at the procedural level, by making room for political parties to appeal to all EU citizens, not just those in their home country. The EP voted against transnational lists in February; DiEM25, registered as an international organization under EU law, still has plans to organize across borders and to partner with politicians in individual countries to advance their ideas on the ballot.

To that end, DiEM25 has proposed a policy platform that local politicians might attach themselves to: a European New Deal that revolves around green energy, more debt reform, profit-sharing, and other progressive ideas. At this early stage, its mission, while ambitious and clearly articulated, rests more on big ideas than actionable policies; the movement’s jargon-heavy organizational structure, with its “coordinating collective,” “advisory panel,” “validating council,” and so on, is faintly reminiscent of an undergraduate Trotskyist group (or worse, the EU itself).

It’s hard to imagine this European New Deal taking shape unless its supporters come to power on a large scale, but there’s nevertheless something to be said for Varoufakis pushing these ideas into the open. Much as he did with his memoirs and columns, he is moving the Overton window to the left—and given the spirited conversations taking place about a universal basic income, job guarantees, and even cryptocurrencies (which Varoufakis characterizes as utter nonsense), the time seems right for it.

Varoufakis’s national party, MeRA25, is positioning itself to seize this sort of power, or at least a seat at the table. It is likewise based on economic recovery and debt relief—for starters, nationalizing the banks on day one to pay back Greece’s debt. That, of course, is a matter of political, economic, and personal importance for its leader: “I wake up, and dream at night, of debt [relief],” Varoufakis told The Guardian. “It’s like being a prisoner of war. You have to try to escape. Our country is a debtors’ prison.” MeRA25 is not shy about framing the challenges facing Europe in class terms. “A vicious class war lurks behind the infamous ‘reforms’ that the ‘radical left’ Syriza government is implementing,” Varoufakis writes on his website, reminding voters and readers that the persistent ill effects of austerity on pensions, employment, and public assets are all designed to benefit Greece’s creditors, not its people.

If elected, MeRA25 wants to leverage Greece’s position to force change, by hook or by crook. And Varoufakis is the obvious—or rather, the only—man for this job. Without being bound by someone else’s agenda (or sense of decorum), he can nuclearize his training as a game theorist and his experience working with the European establishment to go back and make good on the types of threats Syriza never carried through. This would involve enacting its democratically chosen domestic agenda, even against the wishes of the Eurogroup; halting repayment to the IMF, the European Central Bank, and the other bodies set up to bail out ailing states; turning to Varoufakis’s alternate banking proposal should the country run out of money; and all the while, accepting the possibility of expulsion from the EU. MeRA25 reminds us that after 10 years of crisis and decades of bad leadership, Greece has nothing left to lose. In that, Varoufakis has found a certain freedom.

Since both DiEM25 and MeRA25 are not only the parties of new European democracy but also the parties of Yanis Varoufakis, they are not lacking in radical chic. Naomi Klein, Saskia Sassen, and Richard Sennett are all part of DiEM25’s advisory board. Brian Eno, another supporter, composed an anthem titled “Stochastic Processional” for the European movement. In math, “stochastic” means something has a random pattern of distribution. That might describe Varoufakis’s strange bedfellows: Julian Assange, whom he continues to defend loudly, on grounds that he’s being hounded not for sex crimes but for radical transparency; the linguist Noam Chomsky; the filmmaker Ken Loach; and the ex-president of Ecuador, Rafael Correa.

It doesn’t take Cambridge Analytica to figure out that this all-star lineup is unlikely to appeal to someone who isn’t already a Brian Eno fan with a copy of No Logo on his or her nightstand. Even so, Varoufakis says his aim with his new MeRA25 party in Greece is to win over the 1 million voters who don’t show up at the ballot box because they are too radical. Varoufakis has also been outspoken about wanting to forge alliances with centrist “reactionary forces”—even those seduced by right-wing ideas—in order to stabilize Europe.

Varoufakis’s search for approval from the right comes through in his writing, too. He takes an impish pleasure in quoting Margaret Thatcher’s comments on how the European monetary union was fated to be wholly undemocratic. He relishes the chance to surprise his reader politically, noting that his “friendship with true-blue Tory and Eurosceptic Lord Lamont of Lerwick, the chancellor who had ensured that Britain dropped out of the European Monetary System…was at odds with my image as a loony-left extremist.” He spares no criticism for the chickenshit leftists in Brussels—or in Greece, for that matter. He’s running for office against his former party, after all.

Varoufakis, in other words, is speaking to everyone you’d expect—all while subliminally marketing himself as the “loony-left extremist” whom even Tories can get behind. His vision is syncretic: a radicalism rooted in institutions, or perhaps a kind of Macronian Marxism. It’s a fitting approach for a political moment when figures like Steven Pinker preach the gospel of “reason, science, humanism, and progress.” And it dovetails with Varoufakis’s academic training as a game theorist, and his power-obsessed, materialist reading of history. In the prologue to Talking to My Daughter, he cites Jared Diamond’s Guns, Germs, and Steel as one of his biggest influences (the book got a lot of flak for its Eurocentric perspective). His appeal to repentant centrists—those who want to maintain their freedom of movement within Europe, are generally progressive on social issues, and would very much like for the extreme right to go away—seems, for the first time, rather viable. Still, to succeed as a leftist candidate and organization, Varoufakis and the DiEM25 movement will have to find allies in umbrella organizations such as the Party of the European Left, who attended DiEM25’s launch of its transnational list not as participants but as “observers.” He will presumably also have to deal with those on the left who are Euroskeptics themselves.

Varoufakis has his work cut out for him. Though he describes himself as an internationalist, a leftist, and an “erratic Marxist,” his politics don’t fit neatly inside a box. That makes him more interesting, intellectually speaking, than the likes of Jeremy Corbyn or Bernie Sanders. It also makes him less palatable as a politician. This is a man who led a black student union in his university days and now routinely rubs shoulders with bankers and Tories; a man whose wife is thought to be the inspiration for Pulp’s “Common People,” and whose own dispatches about spending time with actual common people come off as quite canned, but who would happily nationalize banks in a heartbeat should he be given that power. Dashing by on his motorbike, he can appear to embody the worst kind of champagne socialism. And yet he does inspire confidence: If anyone can figure out a way to put a chicken in every pot and a bottle of bubbly on every table, it’s Yanis Varoufakis.