by I've become maxed out on politics because I have been very active on twitter for six months fighting Western propaganda and xenophobia. I think I did quite well and I picked up loads of followers, but I needed a rest, so I started up a new twitter account for science, art, film, music, metaphysics, spirituality and no politics. You probably don't share my interests, but I think that occasionally something different on MNEs looks quite good and gives variety. Jean-Luc Godard was a French film director who made the romantic thriller, Pierrot Le Fou, in 1965. I find the film very interesting, plus I like Annie Karina, especially in this film, and I love anything to do with the sea, so I'm hoping to retire to the coast one day. But the film looks striking and I always thought it was because
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I've become maxed out on politics because I have been very active on twitter for six months fighting Western propaganda and xenophobia. I think I did quite well and I picked up loads of followers, but I needed a rest, so I started up a new twitter account for science, art, film, music, metaphysics, spirituality and no politics. You probably don't share my interests, but I think that occasionally something different on MNEs looks quite good and gives variety.
Jean-Luc Godard was a French film director who made the romantic thriller, Pierrot Le Fou, in 1965. I find the film very interesting, plus I like Annie Karina, especially in this film, and I love anything to do with the sea, so I'm hoping to retire to the coast one day.
But the film looks striking and I always thought it was because of the Technocolor, which was always rich and powerful, but I realised the other day that Jean-Lec Godard had deliberately shot the film using predominantly red and blue themes throughout, which gives it a surreal effect. I don't know any other film which has used colour like this.
Pierrot Le Fou short review
A more indepth analysis.
What is Pierrot exactly ? a video essay on Pierrot le fou (Jean-Luc Godard, 1965)